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Hey everyone, it's me, Ben, again.

Did you notice that I screwed up the subject line of last month's composer newsletter? I was on such a hot streak too! First one - nailed the subject line. Absolutely nailed it. It was beautiful. Couldn't quite get there for #2. You live and you learn. Fingers crossed for #3, everybody!


So let's get into it! The theme this month is ORGANIZATION! Man, if that doesn't get you pumped up I don't know what will! First we're trying something new in the reference section by asking you to submit with a particular playlist name PLUS there's a whole Q&A section on the ever-sexy topic of *~metadata~*.

News



This month finally marks the release of a new Netflix original docu-series that we music supervised, Fastest Car. It not only features an original score by our composer Matt Abeysekera but includes dozens of SAS tracks! We are super proud of the final product and thankful to all of you who contributed!

This is our third collaboration with Netflix on an original series, so when you're done binging Fastest Car and are looking for some more SAS tunage check out season 1 of Chef's Table or Fearless. Get streaming!

Recent Work


When Sony Pictures needed some help with a trailer for their upcoming Superfly remake, they approached us with a previously unreleased Future track and a challenge: could we take an already amazing song and crank the energy up to "Action Movie?" To achieve this, we worked with JNUARY (AKA Jeremy Bullock) to create a custom overlay that would really put those movie-theater sound systems to work! Now that's super fly! (Really sorry about that joke)
The California Avocado Commission and MullenLowe needed a very cool song for a very cool fruit, so we worked with very cool guy, Max Farrar, on this custom track that makes California avocados look... super fly. (Not sorry about that one)

Trends/References


Danny Elfman's signature dark, adventurous sound can add a mysterious, almost ominous feeling to any spot without sacrificing the fun! There're a few different directions to go with this and we get requests for them all. Make it huge for action-adventure trailers, keep it ambient and ethereal for fantasy trailers or ads, or go light and plucky for quirky ads. These are just mood and instrumentation references - keep your production modern!

Submit ideas inspired by this ref HERE with playlist name "Dark Adventure."
Lemaitre - Closer - This upbeat, eclectic track combines hip-hop swagger, EDM energy, and bombastic, feel-good brass to create a very versatile and oft-requested soundtrack to a wide variety of ads. The more unique and surprising the better but resist the urge to go too aggressive or gritty. Keep it fun!

Submit ideas inspired by this ref HERE with playlist name "Bombast."
Sofi Tukker - Best Friend - Apple isn't just a trendsetter for new tech, their ads (and the music within them) are always a step or two ahead of the curve as well, so it's no surprise that this one has been coming up in searches lately. This track is modern, driving, energetic and just the right amount of cool. 

Submit ideas inspired by this ref HERE with playlist name "Trendsetter."
Nina Simone - Sinnerman - Nina Simone is a true legend and this song is one of her most synced tracks. It's been used in movies, TV shows and ads for decades - and not just because of its iconic status. The playful, jazzy, percolating piano and light, driving percussion make for an exciting and energetic track that feels like it's about to explode but never does, instead choosing to remain understated and anticipatory.  Focus on the instrumental!

Submit ideas inspired by this ref HERE with playlist name "Percolator."

If you’ve got the time and are looking for some direction, these are all great places to start. As with all of our briefs, all submissions should be 100% original - these references are just tools to inspire emotional tone, feel and genre. Feel free to run WIPs by me and the team or hit us with questions!

Q&A

"What's the best way to tag and submit tracks?" 

Been getting this Q a lot lately, especially with the addition of the permanent submit link. I'll outline what our favorite way to receive tracks is but don't worry - we can and do handle a lot of tagging on our end so even if you submit a track with no metadata it will never be lost!

So let's dive in. 
First of all getting tags to stick to AIFFs can be tricky. iTunes works great on MP3s but is less reliable for AIFFs and every DAW and mastering program handles metadata a little bit differently. I've had success with an application called kid3 which is open source, available on all major operating systems and seems to be the most consistent, though not entirely intuitive, solution.

However you choose to get the metadata in there, here is how we tag things:

Title: [Song Name]  (Pick a unique name for your song!)
Artist: [Composer Name]
Album: Score a Score
Genre: [genre 1], [genre 2], [mood 1], [mood 2], [instrument 1], [instrument 2], [misc keyword], etc  (Put as many helpful tags as you want!)
BPM: [BPM] (Helpful when a client is particular!)
Comments: One stop licensing via Jordan Passman - scoreascore.com (323.433.7104) - music@scoreAscore.com
Album Cover: [this picture]

Genre tags are hugely helpful since nobody knows your songs better than you! Don't just tag the genre, tag the emotions and moods the piece inspires as well as some instrumentation info. Some examples are "Hip Hop, modern, cool, edgy, swagger, fun" or "Emotional, positive, piano, optimistic, building, strings, orchestral, uplifting."

And don't forget to name your song! Don't just use a brand name, reference name, email subject, or genre as the name of the song otherwise we end up with 200 tracks called "Upbeat Rock 1!" 

"When I upload an AIFF to Disco it says it's an MP3, is that okay?" 

Yes! Disco creates an MP3 and then allows our clients the option to download either the AIFF or the MP3. 
 

What a wild ride that was! We really covered a lot of ground here, folks - that metadata Q was a doozy! I'm exhausted! Gonna take a quick 5 hour and 15 minute break and watch every ep of Fastest Car. Now that's super fly!

Happy scoring everybody! 


 

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